Illustration

Carmen Bren Pearce-Oberholzer

Illustrated cover of "Six of Crows" by Leigh Bardugo, featuring a crow and a snowy cityscape

Speculative cover mock-up for "Six of Crows" by Leigh Bardugo. Part of a two-cover set for the Six of Crows Duology within the “Grisha verse” title style. Painted with gouache and overlaid with graphite and coloured pencils. Each element is carefully chosen to give the reader a feel of the story, with parts that become obvious as you make your way through the book.

Hello There! I am Carmen Bren (CB.OBE online), an illustrator from London.

My goal at university was to find my voice as an illustrator, and I’ve found that I flourish when working with narrative and design work, especially when I can tie it into my interests or get to research something new. Most of my visual inspiration comes from history and folklore, with an emphasis on texture and shape language.

My work is a blend of analogue work in gouache, pencil, and graphite, and digital work in replication of said materials. I love the tactility of these materials, and they give my process more life and movement than anything else.

The biggest joy with illustration is getting to tell stories and express concepts in a visual way, and seeing how others receive and enjoy my work. I hope to get a chance to illustrate YA books and give other young people the excitement and joy from stories that I got.


Throughout my time I’ve leant into learning as much as possible about every project I take on, and using that to inform the visual choices I make. I particularly enjoy working with the human form and perspective, as well as pushing my compositions as much as possible.

Thematically, I tend to lean towards fantasy works, horror inspired imagery, and historical influences.

Book cover spread for "Crooked Kingdom" by Leigh Bardugo, with illustration of red-cloaked figure looking over balcony at snowy city, with large bird hovering overhead with coin in its mouth
Cards with various medications illustrated on them
Four illustrations of woman with shining eyes and text showing her reaching for and finding artistic inspiration
Illustration of mandrake figure between someone's hands
Illustrated pouch for Woodman's Blend coffee featuring savage teeth
Illustrated label for Prince's Blend coffee
Illustration of woman in orange outfit sitting in different poses around a cafe
Speculative cover artwork for "Crooked Kingdom" by Emily Leigh Bardugo. Part of a two-cover set for the Six of Crows Duology within the “Grisha verse” title style. Painted with gouache and overlaid with graphite and coloured pencils. Mock-ups of “Healing Item” cards for use within a Survival Horror Card Game. Inspired by folk-remedies from my heritage, each card is a different real life healing technique or remedy that can be made from foraged or grown materials. I worked these up using graphite, ink washes, and digital editing. Key images from an illustrated extract of Oliver Sacks’ "The Man Who Mistook His Wife for a Hat". I used graphite and white gouache for these images, exploring conceptual expression of physical symptoms caused by neurological synapse connection issues. One of a series of four images exploring the concept of the Mandrake, and this history and folklore surrounding the plant, especially during the Western witchcraft hysteria. This scene shows the mandrake used in a curse ritual, painted in gouache and edited digitally. Mock-up of fairytale-inspired coffee packaging: Red Riding Hood inspired dark roast coffee titled “Woodsman’s Blend”. This project aims to create a design system that branches out to different packaging styles and further roasts/products by the conceptual company. Mock-up of fairytale-inspired coffee packaging: Rapunzel inspired light roast coffee titled “Prince’s Blend”. This design showcases the design system across different products and alternative packaging styles. Conceptual editorial illustration for a New York Times article exploring Third Places and why they’re important. Drawn on location and painted with gouache.