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My practice explores themes of death, memory, and space. Working in series, I use repeated imagery to reflect the sequential nature of human activity. Across my work, I return to the image of the ghost. They are not intended as spirits of the dead, but as traces of lived experience. I am interested in how we are remembered through the marks we leave behind: footprints, broken twigs, and displaced objects. These small actions alter both environment and experience, suggesting that human presence continues to shape the world even in absence.
My works are often produced in series and move between oil painting and charcoal drawing. Across both mediums, I explore how images shift in meaning through repetition, placement, and material. The paintings frequently extend beyond the wall through suspended canvases or found classical frames, disrupting the stability of the image while remaining connected to traditions of painting. The drawings, by contrast, often work through layering, fragmentation, and repetition, using silhouetted figures to create tension between presence and absence. Through these processes, the works explore how memory inhabits space and how human experience continues to leave traces within the environments we occupy.
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